Paul Kupperberg on November 3rd, 2008

I know Halloween is over, but with Election Day tomorrow, there’s still plenty to be scared about! If you missed it on Friday, Part 1 is here, otherwise, click on an image to view it in a readable size.

GENERAL GLORY: “I FOUGHT GROOUT, THE CREATURE WHO CAME FROM THE CRACKS IN THE EARTH!” PART 2
© DC Comics







I know Halloween is over, but with Election Day tomorrow, there’s still plenty to be scared about!

GENERAL GLORY: “I FOUGHT GROOUT, THE CREATURE WHO CAME FROM THE CRACKS IN THE EARTH!”

© DC Comics

Tags: , , , , , ,

Paul Kupperberg on November 1st, 2008


Well, actually it’s in the Stamford, Connecticut Times (and its local sister/associate papers here in Lower Fairfield County, such as the Wilton Villager) in a nice feature article, “The Art of Jew-Jitsu”. Yes, it’s a local giveaway paper, but they gave me great play: a promo blurb & picture over the logo on the front page, and almost the entire top half of the first page of the Arts & Life section and a picture:

Photo/Alex von Kleydorff. Paul Kupperberg with Felix the Cat,
a gift from a friend, in his Stamford studio.

THE ART OF ‘JEW-JITSU’
By Chase Wright
© 2008 The Hour Publishing Co.

STAMFORD — Paul Kupperberg has an obsession with absurd humor.

As a child, he read nearly every edition of Mad Magazine, collected Jerry Lewis memorabilia (he has a scotch tape dispenser with Lewis’ smiling face on it) and still points to the best-selling humor book by Jack Douglas, “My Brother was an Only Child,” as the source of his inspiration.

Now, the former satirical writer of such defunct prints as Weekly World News and Marvel Comics’ Crazy Magazine has taken his obsession with absurdity to a new, more controversial level.

Kupperberg’s new book “Jew-Jitsu: The Hebrew Hands of Fury” pokes fun at a people persecuted for over 2,000 years.

“Nothing is sacred,” said the Stamford resident, who is Jewish.

The fictional humor book, co-authored by the fictitious Rabbi Daniel Eliezer, disguises itself as an illustrated instruction manual designed to help anyone, Jew or gentile, master an arsenal of both deadly and friendly self-defense techniques.

No longer will Jewish kids fear walking to temple, the book states. Jew-Jitsu teaches students “du oifn fun der mensch,” or the way of the righteous man.

This step-by-step guide takes readers first through the “Eighteen Forms” of meditation (18 being a lucky number in Judaism) to mastering complex martial arts moves such as “Receiving the Torah,” “Throwing of the Star of David” and “The Deadly Punch in the Kishkes.”

Bet you didn’t know that the same motion you use to break a loaf of challah could knock a man unconscious, did you?

For those who would rather work out their differences than stab an opponent with the three prongs of the menorah, there’s a guide to non-violent fighting techniques as well.

Confuse your opponent by continually muttering such phrases as Oy gevalt! or Och un vai!, the book recommends. Or settle the dispute over a nice hot meal using the technique “Sit, Sit, Eat, Eat!” This move is particularly effective, says Eliezer, because, as it is said, “Brisket hath charms to soothe the savage beast.”

Jew-Jitsu, developed by Rabbi Chiam Mangawicz, has its origins in mid-19th century Japan, according to the fictional book. In exchange for circumcisions and Judaism, the Japanese introduced Mangawicz to their language and the ancient and venerable art of Jujitsu.

With the addition of the Torah, Mangawicz created Jew-Jitsu, a combination of the Jewish faith and Jujitsu that come together as one.

“As the mama will gently sidestep objection with the gentle application of guilt, so does the student of Jew-Jitsu move his opponent with subtle leverage,” wrote Mangawicz.

The book itself has no direct references to the sworn enemy of the Jewish faith, the Nazi, but Kupperberg says the obvious is implied.

“When you do Jews being picked on, you have to include Nazis,” he said.

But don’t go planning your revenge on the Egyptians, the Cossacks or the Bolsheviks just yet, Kupperberg warns.

“The book is merely for entertainment purposes,” he says. “It’s total farce. The only thing these moves will do is get you killed.”

The Springdale resident is a comedic expert, but he doesn’t expect everyone to understand his sense of humor.

“It wasn’t my intention to insult anyone,” said Kupperberg. “There’s no hidden message. All I want from the reader is for them to sit back and laugh like an idiot.”

Sitting in the basement of his Tree Lane home, surrounded by thousands of DC Comics, many of which he’s had a hand in writing, Kupperberg reveals the secret to comedy.

“The secret to humor,” he says, leaning back. “Is introducing an element of reality that people can relate to, and from there you branch off into crazy.”

It’s precisely what he’s done with his latest book. He introduces stereotypes and symbols both Jews and non-Jews are well aware of and takes them to a ridiculous extreme.

“It’s all in good fun,” says Kupperberg. Plus, with a full Yiddish glossary included, you might actually learn something.

Published by Citadel Press, a notorious publisher of Jewish humor books, “Jew-Jitsu: The Hebrew Hands of Fury” is on sale in bookstores now for a price of $12.95.

L’chaim.

Tags: , , ,

Paul Kupperberg on October 31st, 2008

Here’s another one of my General Glory pastiche stories, also published in Justice League Quarterly #16, which featured four such stories of mine surrounded by a framing sequence that introduced the, yes, new General Glory.

Anyway, this one was done in the style of a 1950s Stan Lee/Jack Kirby Marvel horror comic story and is entitled “I Fought Groout, the Creature Who Came From the Cracks in the Earth.” It’s a special story for me because it’s penciled by my brother-from-another-mother, Kansas City’s own Rick Stasi, who knows his comics and played the Kirby-emulation pitch perfect, while Dick Ayers, the sweetheart of a man who inked most of the real 1950s Stan lee/Jack Kirby Marvel horror comic stories, lent his brush to this story.

Do I still gotta tell you to click on an image to view it in a readable size. And to just say “No, thank you,” to drugs.

Happy Halloween!

GENERAL GLORY: “I FOUGHT GROOUT, THE CREATURE WHO CAME FROM THE CRACKS IN THE EARTH!”
© DC Comics






Tags: , , , , , , ,

Paul Kupperberg on October 30th, 2008

Check out yesterday’s post for the details. Here, as Paul Harvey said, is the rest…of the story. Please click on an image to view it in a readable size. And eat all your vegetables.

GENERAL GLORY: RETURN ON A DARK NIGHT
© DC Comics






Tags: , , ,

Paul Kupperberg on October 29th, 2008

In the 1990s, DC published a comic called Justice League Quarterly, a big 80-page anthology starring the various characters and groups associated with all the JLA titles then being published. I wrote, among other things, a semi-regular character called General Glory, who was, in that continuity, supposed to have been a “real” character who had actually lived and functioned in the DC universe of characters as far back as World War II. He was supposedly a top secret agent of the government in the war and beyond, but as part of his cover, his adventures were published as comic books, as a radio show, a TV show, etc. That way, if anyone reported seeing a guy running around in that costume, it could be chalked up to a delusion or some nut in a General Glory Halloween costume.

JLQ would feature occasional short stories purporting to be reprints of old General Glory comic book stories from across the different eras, from the Golden Age to then modern times. They were supposed to mimic (with tongue-in-cheek and irony at full bloom) the tone, storytelling and art styles of the eras we were parodying. So, f’instance, to imitate the flavor of a late-1950s Superman comic book story, we got late-1950s Superman artist Curt Swan to pencil it. For the riff on 1950s Marvel monster comics, my brother-from-another-mother Rick Stasi penciled and Dick Ayers, the dude who actually inked 3/4 of the stories we lovingly mocked inked it (I’ll run that one next week).

My favorite of these, strictly from a script point-of-view, was my pastiche on The Dark Knight Returns, Frank Miller’s seminal Batman graphic novel from the 1980s, the granddaddy of the grim & gritty movement. I thought I caught the tone of Frank’s writing fairly accurately and wrote a couple of really dead-on metaphorical captions that could have come out of the original even with their sheer goofiness. I can be a half-way decent stylistic mimic when I try and on this one, I tried.

Alas, happy script, not completely happy result. I mean, not terrible, just…not all it could have been. The artist drew some nice pictures, but on many pages, he ignored–or more likely did not understand, as he was a South American artist, I believe, who’s handed a script translation by the studio he worked for–the instructions to do the layouts like Frank’s in The Dark Knight Returns. He didn’t, so what could have been a solid home run turned into a double and I promise never again to use another sports metaphor here.

The second half tomorrow. As ever, click on an image to see it in a readable size:

GENERAL GLORY: RETURN ON A DARK NIGHT
© DC Comics







Tags: , , ,

Paul Kupperberg on October 27th, 2008

Last year I wrote a short story for Moonstone BooksThe Avenger Chronicles, an anthology starring the 1930-1940s pulp character. The book is out and I share space with a batch of talented writers, including Will Murray, Ron Goulart, C.J. Henderson and others. Here’s how it starts:

The Avenger Chronicles: THE CLOUD OF DOOM
© respective copyright holders

“So, you think you’re a tough guy, eh?”

The tall, lanky man in the yellow checkered vest and straw boater planted himself in front of the approaching couple, jabbing a finger at the man and blocking their way along the Coney Island’s Boardwalk.

The male half of the duo, dressed in a pearl gray summer weight suit and matching fedora pulled low on his brow, peered up at the taller obstacle, his eyes hidden behind round-framed dark glasses. He was of average size, no more than five feet eight inches tall and one hundred and sixty pounds, but something about the man’s dark stare chilled the humid July air around the suddenly unsmiling Boardwalk barker.

“Excuse me?” the gray man said.

The barker swallowed and stepped back, trying to regain his smile, but fear kept it sliding from his lips.

“The bell,” the barker stammered, no longer shouting for the benefit of the crowd that surged around them. He held up the large wooden mallet that had been dangling at his side. “Ring the bell … win a Kewpie doll. For, for the little lady.”

The “little lady” in question, a small, delicate young woman in a yellow flower print sun dress and wide brimmed bonnet to shield her porcelain complexion from the rays of the sun, tugged discreetly at the man’s arm. “Yes, Richard, why don’t you win me a Kewpie doll.”

Richard turned the black, endless stare of his sunglasses on her. “I wasn’t aware you needed one,” he said.

“I don’t, but you’ve obviously made this poor man very uncomfortable, so the least you can do is ring his bell,” she said. Then, in a whisper meant only for his ears, “Relax. Remember why you’re here.”

Richard looked at her for several seconds, than reached into his pocket for a quarter, which he flipped to the startled barker, who dropped the mallet to catch the coin. Before the well-worn handle could touch the ground, Richard had it in hand and, as effortlessly as waving farewell, he swung it against the padded wooden lever that sent a hard rubber ball racing up the eleven-foot length of cable, past the crudely painted summations and artistic representations of levels of strength, from “90-lb. Weakling” to “Hercules!!!”, to slam into the waiting bell with a resounding clang that brought an “oooh” and a smattering of applause from onlookers, then gasps as the force of its momentum drove the ball under the copper bell and jammed there.

The barker looked at Richard, his mouth moving but making no sound. In the distance, the sputtering engine of a slow-moving biplane towing an advertising banner through the thick, hot air thumped dully off the water. Closer by, a train of rollercoaster cars thundered by on the Cyclone and from it came a girl’s scream of terrified delight.

“I believe there was mention of a Kewpie doll,” Richard inquired, handing the barker his mallet.

As they walked from the still speechless barker, a cheap little celluloid cherubic Kewpie tucked under her arm, the woman said to Richard, “That was entirely mean. He was just doing his job. Some people have been known to come to Coney Island for fun, you know.”

“I was doing a public service, Nellie,” he said. “One look at that rickety contraption and I could see it was only a few good wallops away from collapsing and injuring someone. I gave him a hundred dollars and made him promise to replace it.”

“Oh,” Nellie said and smiled. “Yes, of course. I should have known.”

Richard didn’t smile back at her. He couldn’t. Beneath the shade of his hat and mask of his glasses, she could see the flesh of his face, so pale as to make her own peaches and cream complexion seem almost ruddy. She had long accepted the dead white immobility of his face, a result of the unimaginable trauma he suffered when his beloved wife Alice and their young daughter Alicia were murdered by gangsters. Nellie and the others who worked for this man’s Justice, Inc. could read his mood by his body language and voice, just one of the many small adjustments they all made when they joined their destinies with the man the newspapers called “The Avenger,” but who they knew as Richard Henry Benson.

His voice when he spoke was warm. “I appreciate your coming along, Nellie. I realize this must be awkward for you.”

“Awkward? Why on earth would you think that”

Richard lifted one shoulder and let it settle back in place, as close a sign of hesitation as he ever made. “We’re business associates. This is a personal matter. I just thought you might be uncomfortable…”

Nellie sighed, “Dear Richard, after how many years together, you still don’t understand, do you?”

But he was no longer listening. His chin had gone up and his gaze had shifted elsewhere. Nellie tried to see what he saw, but all she saw were revelers. Men, women, and children, clustered in all possible combinations and groupings, some in street clothes, many more in bathing suits, all in motion, pausing only long enough to loudly and merrily sample some amusement or Boardwalk delicacy. She couldn’t begin to guess how many were jammed onto the Boardwalk, beach and surrounding streets, but they had to number in the hundreds of thousands. And still more were coming by the minute, spilling out of the subway cars screeching into the elevated Stillwell Avenue station, by car, by bus and by packed trolleys that hissed south along Brooklyn’s major arteries, all culminating here, on a tiny spit of land jutting into the Atlantic Ocean.

It was the Fourth of July, 1941 and, until about thirty seconds ago, Coney Island seemed absolutely the best and most American place in all the world to be celebrating that.

Brightly buzzing neon and countless blinking, flashing light bulbs fought for attention with miles of red, white, and blue bunting flapping atop every arcade, game, attraction, and come-on joint along the Boardwalk. The air was thick with sound and smell, the roar of those countless voices muffled under the ceaseless thunder of the Atlantic surf. Nellie could smell sea and sand, sizzling hot dogs, diesel exhaust, roasting corn, and cotton candy. A pair of biplanes made lazy circles over the beach, one towing a banner extolling beachgoers to drink an ice cold Pepsi-Cola, the other to freshen their breath with new Julep cigarettes.

What she couldn’t see was anything amiss.

“Male Caucasian, blond, in his shirt sleeves, at eleven o’clock,” Benson said.

And then she had him, a tall, muscled man in his late-thirties, wearing a worn, grease-stained blue workman’s shirt with rolled up sleeves, dungarees, and steel-toed boots, striding away from a hot dog vendor, taking a big bite from one with everything.

Tags: , , , ,

Paul Kupperberg on October 26th, 2008

How about something from the inside, where it really counts?

Sit, read, enjoy. As always, click on an image to view it in a readable size. And, please, buy the book. There’s 108 more pages just like these.

JEW-JITSU: THE HEBREW HANDS OF FURY
Jew-Jitsu © Paul Kupperberg
Photography
© Michael Simses


Tags: , , , , , , ,

Paul Kupperberg on October 24th, 2008



That’s right, yet another thrill-packed episode of Capes, Cowls & Costumes is up and ready for viewing on Bookgasm.com (‘Reading Material to Get Excited About’). Not a week goes by that I don’t pick up or add to my list at least one book I’ve seen reviewed thereon. This week, I look at some superhero anthologies.

Tags: , , , , , , ,

Paul Kupperberg on October 24th, 2008

A kind-of follow-up to an earlier story I wrote for Weekly World News, “Praise the Lord, Get Valuable Points” in July 2005. I’m not sure of the exact date, but I believe it was sometime in early 2007:

RestE-Z PASS UNVEILED
© Weekly World News

VATICAN CITY – In recent years, the Vatican has turned to novel marketing approaches to help boost church attendance, including issuing the ‘Indulgence Card,’ which, when swiped on collection plate readers, earns worshippers valuable points towards getting into heaven (“Praise the Lord, Get Valuable Points,” Weekly World News, September 5, 2005).

“We felt that was all well and good for those of our parishioners who still inhabited this mortal sphere,” said Bishop Doyle Dane. “But we wondered: what could the church offer those who have left us, to help ease their journey into the next world?”

The answer is the RestEZ-Pass, which is being field-tested in Chicago.

“We simply clip it to the clothing of the dearly departed,” said local funeral director Cal Dukesbury. “When it’s time to go in whichever direction the Almighty has determined for you, the RestE-Z Pass is activated.

“The deceased is whisked straight to his or her destiny on an express lane, bypassing limbo, purgatory, and long check-in lines at the Pearly Gates and Hell.”

Father Joseph Mario Spumdilini, pastor of the Windy City’s Our Lady of Perpetual Rationality, is hoping the test is a success.

“It’s a comfort to know that when you pass on you can do so with a pass on,” he said.

Tags: , ,

Paul Kupperberg on October 23rd, 2008


Jew-Jitsu: The Hebrew Hands of Fury is on the shelves! I walked into my local Borders this morning and there it was, a generous stack of them (face-out!) in the ‘New Arrivals’ section by the entrance!

Needless to say, I’m excited.

Check your local bookstores…let me know if you see the book and where!

Tags: , ,