Paul Kupperberg on December 29th, 2019

Don’t ask me what I was thinking. All I remember is, I had recently read a historical factoid that for reasons beyond reason fascinated me, and when editor Paul Levitz asked me for an Atom ten-pager for 1977’s one-shot DC 5-Star Super-Hero Spectacular (DC Special Series #1) Dollar Comic, also featuring Batman, Flash, Green Arrow, and Aquaman, I saw the chance to send the Mighty Mite back in time via Professor Hyatt’s Time Pool and confront the situation. In retrospect, it’s a silly little story, hardly worth telling, but not atypical of a lot of the stories being published by DC at the time. Maybe I’m being too hard on myself; as a newbie, 21-year old writer, I really didn’t have all that much to say, and even if I did, I didn’t know how to say it in a one-shot back-up story about a guy who could get tiny.

Still, that didn’t stop artists Steve Stiles and Bob McLeod from drawing the hell out of it, historical references and all…an actual chore in the days before the internet when visits to a local library were required. Colors were by Liz Berube, letterer uncredited.

And the issue had a great poster-shot cover by Neal Adams, so there was that.

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Paul Kupperberg on December 28th, 2019

From World’s Finest #277 (March, 1982), an 8-page Zatanna back-up from the Dollar Comics era of the title, “Doppleganger,” scripted by me and drawn by the great Dan Spiegle, an artist whose work graced whatever genre it appeared in…and he covered all of ’em, from superhero and science fiction to Western and funny animal. Pete Iro was the letterer, Tom Zuiko the colorist, and Mike W. Barr the editor.

Title hint: Zatanna spoke her magical spells backwards.

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Paul Kupperberg on December 26th, 2019

A story from DC’s short-lived science fiction anthology series Time Warp, the last issue, #5, to be exact, of the original run (June/July 1980), written by me and penciled by the late, great Don Newton, with inks by the still extant but no less fabulous Steve Mitchell and letters by Milt Snappin, with coloring by Gene D’Angelo. Edited by my buddy Jack C. Harris.

I wrote two other stories for TW, neither of which saw print, but can be seen here and here.

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Paul Kupperberg on December 25th, 2019

Part 2 of “The Castle Rhinehart Affair,” featuring Rosa, Master Spy, from Men of War #18 (July 1979), wrote by me, with art by Jerry Grandenetti. Part 1 is here.

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Paul Kupperberg on December 24th, 2019

First of all: Jerry Grandenetti. An artist so good, Roy Lichtenstein pirated two of his illustrations for his fine art paintings (Jet Pilot, based on the cover of All-American Men of War #89, and As I Opened Fire, a triptych based on panels from “Wingmate of Doom” from #90). The guy who had worked with Will Eisner on the legendary Spirit newspaper section. The co-creator with Joe Simon of DC’s Prez and the artist of countless DC war stories. That Jerry Grandenetti. He drew this story, from my little script.

Which was for Rosa, Master Spy, a 19th century state-of-the-art super-spy, along the lines of James West in Wild, Wild West, except with none of the fantasy technology. Rosa appeared in Men of War #17 & #18 (June & July 1979) and again in Men of War #24 & 25 (January & February 1980).

To be continued…

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Paul Kupperberg on December 19th, 2019

Another Weird War Tales tale, this one from Weird War Tales #83 (January 1980, on sale October 9, 1979), with art by Ric Estrada. This story, and “Brother War” from WWT #81, had both been co-written several years earlier with my friend Bob Toomey and originally sold to editor Louise Jones at Warren Magazines. When Weezie left Warren and the stories still hadn’t been published (or even assigned to artists for that matter), she gave her permission to Bob to shop them elsewhere. For reasons I no longer remember (maybe he had left the business by then?), Bob was okay with me doing the necessary rewrites to sell them to DC and didn’t want any credit on the new versions. By luck, both scripts landed on the drawing board of Ric Estrada, himself a sometime-Warren artist (and one can only imagine what Ric could have done with these scripts in black and white). So, credit where it’s finally due…well, actually, this information’s been in print since 2001, in Appendix F of David Roach and Jon B. Cooke’s excellent The Warren Companion (page 256) from TwoMorrows Publishing.

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Paul Kupperberg on December 18th, 2019

It was not only my pleasure to have gotten to know comic book artist Ric Estrada back in the 1970s, I would also have the privilege of his drawing a few stories that I scripted. Ric was a sweet and gentle man, an ordained minister, if I remember correctly, and a favorite artist of mine long before he drew the six-page “Brother War” for Weird War Tales #81 (November 1979).

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Paul Kupperberg on December 17th, 2019

Ho-ho-ho! My first sale to DC Comics was “The Stranger,” a 10-page Fabulous World of Krypton back-up for Superman Family #182 (March-April 1977) to editor Denny O’Neil. Three cool things stand out for me about this otherwise pedestrian little riff on the Bible (well, four, if you count it being my first to DC): (1) It was one of the earliest stories penciled by soon-to-be-legend Marshall Rogers, who would go on to an iconic run on Batman and other features and who died way too young, (2) It was inked by Frank Springer, an already-a-legend in comics, and (3) the very first words I wrote for a DC story came out of the mouth of Clark Kent and was in a comic book with “Superman” in the title.

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Paul Kupperberg on December 14th, 2019

From Detective Comics #504 (July 1981), another “Tales of Gotham City”/Commissioner Gordon back-up story, “A Day in the Life of a Cop,” with art by Jose Delbo and Joe Giella.

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Paul Kupperberg on December 13th, 2019

I’d later do a close to two year run as the writer of Superboy with Kurt Schaffenberger, but I believe this was the first time the legendary artist of Captain Marvel and Lois Lane ever drew one of my scripts. From Detective Comics #485 (August-September 1979), a Hudson Collage-era Robin the Boy Wonder in “The Case of the Cavorting Corpse!” (because alliteration matters, dammit!), inked by Dave Hunt.

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